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'''Grandes Almacenes Shirokiya''' proyectados por [[Kikuji Ishimoto]] junto con [[Yamaguchi Bunzo]] y construidos en Tokio entre 1928 y 1931. | '''Grandes Almacenes Shirokiya''' proyectados por [[Kikuji Ishimoto]] junto con [[Yamaguchi Bunzo]] y construidos en Tokio entre 1928 y 1931. | ||
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Ishimoto’s subsequent project for Shirokiya produced the first modern style department store | |||
in Japan and rejected the Western decoration that typified department stores, seeking a novel | |||
image through contemporary Western architectural motifs and architectural expression based on | |||
structure, form, composition and material.20 Ishimoto employed a reinforced concrete structure | |||
expressed in the grid of the south facade and the cantilevered balconies, “revealing structure | |||
honestly” and illuminating architecture’s “artistic values”. Ishimoto set up a compositional dialogue | |||
between the articulated structure and the variety of glazing. Eschewing historicist decoration, | |||
he employed a variety of forms – grid, arches, clock tower, and fenestrated areas – in dynamic | |||
asymmetric relationships, which led Manfredo Tafuri to describe Shirokiya as an “attempt to link | |||
a Constructivist language rich in neoplastic allusions with certain modulations and figurative | |||
traditional elements.”21 Ishimoto also utilized textures, colours, and patterns to embellish and | |||
enliven the building. For example, the exterior arches and interior atrium were rendered in an | |||
expressive geometric relief pattern. Consistent with his writings, Ishimoto created decoration | |||
through geometric forms and patterns rather than imitating past architecture. He combined | |||
expression, based on structure and function, with artistic expression, in a building replete with | |||
allusions to contemporary foreign architecture. | |||
Extending Ishimoto’s characterization of Asahi, according to the architectural press Shirokiya was | |||
“Japanese International Style.” This was not International Style as canonized by Henry Russell | |||
Hitchcock and Philip Johnson, but Japanese International Style in the sense that it was a sampling | |||
of international production domesticated for a Japanese context.22 Ishimoto’s structures, forms, and | |||
designs were inspired by a combination of foreign precedents by Mendelsohn, Sullivan, Poelzig, and | |||
Dudok with influences from Cubism, Constructivism, De Stijl, the Bauhaus, and Expressionism.23 As | |||
expressed in his writings, it is through their mixture that Ishimoto sought a Japanese International | |||
Style modern architecture. | |||
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==Referencias== | |||
* http://www.unitec.ac.nz/epress/wp-content/uploads/2014/08/Japonisation-of-Modern-Architecture_Kikuji-Ishimoto-Junzo-Sakakura-and-Other-Precursors-by-Ari-Seligmann.pdf | |||
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Revisión del 21:56 19 nov 2017
Grandes Almacenes Shirokiya proyectados por Kikuji Ishimoto junto con Yamaguchi Bunzo y construidos en Tokio entre 1928 y 1931.
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